She's Cornered the Market in Super Bitches!
Born in Greenwich, CT, on March 19, 1947, Close grew up in Africa and Switzerland while her father, a doctor, maintained a clinic in the Belgian Congo.
As a high school student at Greenwich's Rosemary Hall, the actress organized a touring rep-theater group and performed a number of folk-singing gigs.
After graduating from the College of William and Mary, where she studied anthropology and acting, Close appeared in regional theater and then made her New York stage bow in 1974's Love for Love.
Her theater work led to her first film role, when director George Roy Hill, after seeing her in the Broadway musical Barnum, cast her in The World According to Garp (1982).
Close worked steadily through the remainder of the 1980s, winning Oscar nominations for her divergent performances in The Big Chill (1983), The Natural (1984), and Fatal Attraction (1987). In the last of these films, she all but caused the screen to combust with her fearsome portrayal of a woman who gets very, very angry with Michael Douglas.
As evidence of her remarkable versatility, Close avoided being typecast as similarly psychotic women, going on to win another Oscar nomination the next year for her devastatingly wicked performance in Dangerous Liaisons.
Further acclaim followed with her role as Sunny Von Bulow in Reversal of Fortune (1990), and Close spent the next decade turning in consistently strong performances in films both good and bad, from the critically and commercially lambasted Mary Reilly (1994) to the all-star Mars Attacks! (1996); 101 Dalmatians (1996), in which she got in touch with her inner drag queen as Cruella De Vil; and Air Force One (1997), which featured her as President Harrison Ford's harried Vice President.
In 1999, Close took on two very different roles, first lending her voice to the animated Tarzan as the hero's gorilla mother, and then in Robert Altman's Cookie's Fortune, in which she was able to explore Southern-style insanity as the terrifically unhinged Camille Orcutt.
In addition to her film work, Close has maintained a television and stage career since the early '80s. Her stage work led to Tony Awards for her turns in Tom Stoppard's The Real Thing (1984) and Ariel Dorfman's Death and the Maiden in 1992. She garnered further raves and diva status for her starring role as the legendary Norma Desmond in the 1995 Broadway production of Sunset Boulevard (an excellent singer, Close annually performs the National Anthem for the New York Mets' opening-day game).
On television, she continued to win prestige for performances inStones for Ibarra (1988), 1991's Sarah, Plain and Tall, in which she starred opposite Christopher Walken, and Serving in Silence: The Margarethe Cammermeyer Story (1995), for which she won an Emmy for her portrayal of the title character.
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