They are all "composite", archetypal portraits; partly his god-daughter Ann Hilder and partly evocations of his mother, and the daughter of a farmer in Swinton Moss near Lytham St. Annes whom Lowry had met and grown close on childhood holidays. She was also named Ann, and died when still a young girl in 1913."Ann" was therefore one of the Lowry "dream women" and played a role in his personal mythology similar to that occupied by the women of Rossetti, an artist for whose sultry, goitred "stunners" Lowry possessed a consuming passion. His private collection contained a number of Rossetti portraits.
Source: L.S. Lowry RA, 1887-1976: [catalogue of an exhibition held at the Royal Academy], 4 September to 14 November [1976]
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