), and is forced to discover values with which man will not be ashamed to live. A small story about people who still know how to be gentle, an enormous cinematic experience.
The themes contain a translucent beauty, cross-lit in a confusingly rich manner by the direction. In the case of expression, the author takes the biggest risks, and wins. We know, ultimately from Juha (1999), the last silent movie of the 20th century, that Aki Kaurismäki is a rare breed of a portrayer of the border area, between the urban and the countryside, the privileged sector of the class society and the margins of Finland, sentenced to anonymity.
Kaurismäki’s portrayal of subservience contains dignity (neither pompous nor heavy-hearted), humour, a touch of melancholy (not far removed from the style of Chaplin), and an excellent understanding of the lot of his subjects, a lot that most probably is irrevocably at the bottom, but one that also possesses its own rebellious delights as well as room for one’s own self. The choice is a proud one, too, as power and domination seem to corrupt always and absolutely.
The ethics and style of Aki Kaurismäki are strongly related to several of the giants of cinema who have shown as well an absolute and most boundless respect for man by the creation of such a precise way of expression and such a cinematic style, with respect visible in every frame, through the means of pure cinema.
Aki Kaurismäki has created a film in which the daring and powerful scale of form, colours and means of expression indicates a fine awareness of tradition in relation to both Finnish and European cinema, and a bold new stylistic move in his own world.
Mies vailla menneisyyttä (2002)
The second part of Aki Kaurismäki's "Finland" trilogy, the film follows a man who arrives in Helsinki and gets beaten up so severely he develops amnesia. Unable to remember his name or anything from his past life, he cannot get a job or an apartment, so he starts living on the outskirts of the city and slowly starts putting his life back on track.
Nominated for Oscar. Another 18 wins & 20 nominations
T h e M a n W i t h o u t a P a s t
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M i e s v a i l l a m e n n e i s y y t t ä
D v d
Mies vailla menneisyyttä on Aki Kaurismäen Suomi-trilogian itsenäinen toinen osa. Trilogian ensimmäinen osa Kauas pilvet karkaavat kertoi työttömyydestä.
Mies vailla menneisyyttä kertoo asunnottomuudesta ja osattomista tämän päivän Helsingin laitamilla - tavalla, joka on koskettava, hauska ja vapauttava.
Alkuperäinen nimi: Mies vailla menneisyyttä
Vuosi: 2002
Ohjaaja: Aki Kaurismäki
Pääosissa:Kati Outinen, Markku Peltola, Esko Nikkari, Sakari Kuosmanen, Annikki Tähti
Pituus (min): 93
DVD Kuvaformaatti: 16:9 Anamorfinen Widescreen 1.85:1
Ääniformaatti: Dolby Digital 5.1 suomi
DVD Tekstitykset: ruotsi, englanti
DVD Lisämateriaali: Interaktiivinen valikko * Trailerit
Ikäraja: 7
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Dvd available: this site (shipped from uk)
Price this site: $ 44.99 (US Dollars) (includes worldwide postage & packaging)

man without a past dvd
aki kaurismäki
(finnish) official dvd.
region 2 (europe).
2003.
format: pal.
studio: sandrew metronome.
spoken language: finnish.
subtitles:
english, swedish.
movie originally released in 2003.
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Evening Standard Newspaper, London, UK - 16/01/03
by: neil norman
Film noir's happy Finn
The last time I interviewed Finland's greatest film-maker, Aki Kaurismaki, I had to be carried out of the Soho Brasserie and put in a taxi. This time I am a little more circumspect in my alcoholic intake. The truth is, I just can't compete.
While drinking features in his latest movie, The Man Without A Past, it is not excessive. There is plenty of smoking, however. The film is set among a community of Helsinki's homeless who live in abandoned containers in the docks, and they do not have much money to spend on alcohol.
"In my village, 90 per cent of the people are unemployed." Kaurismaki says. "They get fed by the government. But if you eat, you don't smoke; if you smoke, you don't drink. And if you drink, you don't eat. Once you've spent three years out of work, you're out of the system. You become a B citizen. People were actually living in those containers. They moved back into our sets during the night. Officially there are 5,000 homeless in Helsinki. It's closer to 10,000."
Kaurismaki may sound like a dour fatalist but in reality his films have been getting lighter and sunnier. There is always, for example, a part written for one of his dogs at the insistence of his wife, and at last year's Cannes his dog Tahti won the Evening Standard Palm Dog Award.
"The more hopeless I become about the situation of the world, the more optimistic my films become," he says. "At least let's die laughing."
Kaurismaki's idiosyncratic movies - including those he makes with the rock 'n' roll group
Leningrad Cowboys
- are invariably veiled comentaries on Finnish society played through the gauze of noir comedy.
His version of Hamlet, Hamlet Goes Business
, transplanted the Prince of Denmark into the modern-day chairman of a rubber-duck factory; his one British movie, I Hired a Contract Killer, starred Jean-Pierre Leaud as a failed suicide who hires a hit man to kill him, then tries to cancel the contract when he falls in love. Kaurismaki's view of the human condition may be bleak, but it makes for fascinating cinema.
Like Francois Truffaut and Jean Luc Godard, Kaurismaki has also served his time as a film critic. "I was a lousy critic," he confesses, "because I only had two opinions: 'masterpiece' or 'shit'. I invented the term 'a masterpiece of shit'. But that only applies to my films."
leningrad cowboys go america | the match factory girl
take care of your scarf, tatjana |
drifting clouds
man without a past |
total balalaika show
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