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1934, 93 MINS, US
CAST:
(Cosmopolitan/M-G-M)
Apart from the Clark Gable-William Powell
stellar duo and Myrna Loy, who does an excellent job as the principal femme, the
Arthur Caesar story is replete with punchy
popularly-appealing ingredients. The fast,
crisp, intelligent dialog further enhances it.
True there is much to Manhattan Melodrama
that's very ten-twent-thirt. There are a couple of spots where perhaps Gable as the too
suave hoodlum is glorified a bit, but there are
also many offsetting speeches by Powell as
the DA as he charges the jury to remember
that there's no longer public sympathy with
bootleggers.
There are also a couple of somewhat banal
spots such as Papa Rosen (George Sidney)
adopting the two tough mick kids (Gable and
Powell) because his own Morris was drowned
in the SIocum disaster. Or, for example,
where Papa Rosen is the first to deride the
Russian red agitator (and gets trampled to
death by the riot squad for his patriotism).
The captiousness embraces such incidents
as the Governor's wife (Loy) visiting the prisoner (Gable) in the Tombs. Or the inevitable
Last Mile business in the death house with the
colored convict, the surcharged atmosphere
of bravado, etc. But in toto Manhattan Melodrama will never bore, and please generally.
Mickey Rooney and Jimmy Butler in the
juve portions are tiptop. Shirley Ross is the
colored warbler who handles the lone
Rodgers-Hart song in the picture (which means little) in the Cotton Club setting.
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